{"title":"Charpentier","description":null,"products":[{"product_id":"portraits-contemporains","title":"Portraits contemporains","description":"\u003cp\u003e\u003cstrong\u003eGAUTIER Théophile. Portraits contemporains.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eParis, Charpentier et Cie.\u003c\/em\u003e, 1874.\u003c\/p\u003e\n\u003cp\u003eIn-8 (185 x 120 mm): [3] ff., 462 pp., [2] ff. Half brown shagreen with corners, corners, spine ribbed, title, author, date and place in gilt, head gilt, untrimmed (\u003cem\u003eDavid\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal edition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDeluxe edition on Holland paper (no. 50) - only luxury edition for the original edition.\u003c\/p\u003e\n\u003cp\u003eThe deluxe edition offers the engravings in two states: a frontispiece portrait and another before the letter on China by Célestin Nanteuil.\u003c\/p\u003e\n\u003cp\u003eUpper corners of the covers slightly rubbed, scattered foxing.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":50037922791749,"sku":"0062","price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/36A1DD99-F70A-4206-9AFF-67612A2DF39B.png?v=1733689653"},{"product_id":"lourdes","title":"Lourdes","description":"\u003cp\u003e\u003cstrong\u003eZOLA Emile. Lourdes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eParis, Bibliothèque Charpentier\u003c\/em\u003e, 1894.\u003c\/p\u003e\n\u003cp\u003eIn-8 (187 x 130 mm): [2] ff., 598 pp. Cover and spine preserved. Brown half-morocco with corners, separated by gilt fillet, ribbed spine, title, author and date in gilt, gilt head, untrimmed (\u003cem\u003ePagnant\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal edition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeautiful copy printed on Holland paper (no. 234). \u003cbr\u003eBinding signed Pagnant (1851-1916), famous bookbinder of the late 19th century who studied his trade in the Chambolle-Duru workshop and was close to Octave Uzanne.\u003c\/p\u003e\n\u003cp\u003eUpper corner of the first cover compressed, spine sunned with a clean interior, small tear of 1 cm not affecting the text on page 102.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":50038148235589,"sku":"0192","price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/ZolaLourdes-1.jpg?v=1725531498"},{"product_id":"documents-litteraires","title":"Documents Littéraires.","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eZOLA Émile. Documents Littéraires.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParis, G. Charpentier,\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/em\u003e1881.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn-8 (183 x 128 mm): [3] ff., 419 pp., [1] f. Half ochre cloth, smooth spine, brown title label, author and title stamped in gold (\u003cem\u003econtemporary binding\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal edition with a fine autograph dedication from Zola to Paul Haay. \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis collection originally appeared in the St. Petersburg journal \u003cem data-mce-fragment=\"1\"\u003eLe Messager de l'Europe\u003c\/em\u003e, first published between 1802 and 1804 and edited by Nikolai Mikhailovich Karamzin (1766–1826). It was later revived and published from 1866 to 1908.\u003cbr\u003e\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":53755808809285,"sku":"0281","price":500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/9-image00026.jpg?v=1733128160"},{"product_id":"le-journal-d-une-femme-de-chambre","title":"Le Journal d’une femme de chambre.","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMIRBEAU Octave. Le Journal d'une femme de chambre.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParis, Bibliothèque Charpentier,\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e1900.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn-8 (185 x 127 mm): [6] ff., 519 pp., [3] ff. First cover preserved. Half chocolate-brown morocco, spine with raised bands, gilt author, title, and date, gilt top edge.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFirst edition.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA \u003cstrong\u003efine Association copy, with the author’s inscription to Aurélien Scholl\u003c\/strong\u003e, novelist and journalist (1833–1902), known for his biting critiques, which earned him numerous duels, as well as for his caustic humor.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlso included is an \u003cstrong\u003eALS by Aurélien Scholl to Octave Mirbeau, in which Scholl apologizes for his less-than-flattering review of the novel:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"24 juin, mon cher confrère, vous avez raison me gronder. Où Diable avais-je la tête quand j'ai laissé couler cette formule banale \"sans méchanceté et sans fâcher personne ?\" j'ai cédé au désir D'épargner les blessés. J'aurais dû [...] plus justice à votre livre en le qualifiant de cruel. Vous faites parler la conscience de vos personnages afin de souligner le mot de Beaumarchais : \"il y a de ces choses qu'on peut se dire à soi-même\".\u003cbr data-mce-fragment=\"1\"\u003eEn tout cas, vous écrivez une belle et forte langue, et votre ouvrage est d'un haut intérêt.\u003cbr data-mce-fragment=\"1\"\u003eRecevez l'assurance de ma sincère sympathie accompagnée d'une légitime admiration.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMirbeau, one of the first Goncourt Academicians (1900–1917), was a protégé of Gambetta and a close associate of François Deloncle.\u003c\/strong\u003e Destined for a political and diplomatic career, he chose the path of anarchism, traveling across France and engaging in physical confrontations when silenced. He became known as a fervent polemicist and a fierce humorist. \u003cem data-mce-fragment=\"1\"\u003eLe Journal d'une femme de chambre\u003c\/em\u003e was no exception to his biting critiques (Mollier). \u003cem data-mce-fragment=\"1\"\u003e\"This book by Mirbeau is a harsh indictment of the ills of modern society. It blends satire of family mores with a rather murky sensuality. At times, the satire fades, and the 'journal' ultimately transforms into a mere scandalous chronicle.\"\u003c\/em\u003e (Laffont-Bompiani).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFoxing on the preserved cover and yellowed paper, as is common.\u003cbr data-mce-fragment=\"1\"\u003eMollier, Jean-François Nivet et Pierre Michel : \u003cem\u003eOctave Mirbeau, l'imprécateur au coeur fidèle\u003c\/em\u003e, 1990. Dans : \u003cem\u003e1848. Révolutions et mutations au XIXe siècle, n°8\u003c\/em\u003e, 1992, 143-145 ; Laffont-Bompiani, \u003cem\u003eDictionnaire des Oeuvres\u003c\/em\u003e, III, 854.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":53756820455749,"sku":"0065","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/2-image00019.jpg?v=1733147683"},{"product_id":"histoire-du-romantisme-suivie-de-notices-romantiques-et-dune-etude-sur-la-poesie-francaise-1830-1868","title":"Histoire du romantisme, suivie de notices romantiques et d'une étude sur la poésie française 1830-1868","description":"\u003cp\u003e\u003cstrong\u003eGAUTIER Théophile. Histoire du romantisme, suivie de notices romantiques et d'une étude sur la poésie française 1830-1868.\u003c\/strong\u003e\u0026nbsp;\u003cbr\u003eParis: Charpentier \u0026amp; Cie, 1874.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e12mo (190 × 127 mm). (3) ff., VI–410 pp., (1) f. Full red morocco, covers with gilt double fillet and blind panel, spine gilt in compartments with raised bands and corner tools, gilt edges; original printed wrappers and backstrip preserved. Slipcase by J. Faki.\u003cbr data-start=\"1237\" data-end=\"1240\"\u003e\u003c\/p\u003e\n\u003cp\u003eWith:\u0026nbsp;\u003cbr data-start=\"1322\" data-end=\"1325\"\u003e\u003cstrong data-start=\"393\" data-end=\"445\"\u003e—\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem data-start=\"397\" data-end=\"442\"\u003eRecueil sur l'Histoire du romantisme.\u0026nbsp;\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-start=\"445\" data-end=\"448\"\u003e\u003cspan\u003eParis: Le Bien public, 1872. \u003c\/span\u003e4to (287 × 212 mm). 115 ff. Contemporary red half-morocco, spine gilt in compartments.\u003c\/p\u003e\n\u003cp data-start=\"1556\" data-end=\"1854\"\u003e\u003cstrong data-start=\"1556\" data-end=\"1646\"\u003eFirst edition. One of 50 numbered copies on Holland paper, the only large-paper issue.\u003c\/strong\u003e\u003cbr data-start=\"1646\" data-end=\"1649\"\u003eA well-preserved example, bound in period style and retaining the original wrappers. Mounted in the front pastedown is an \u003cstrong data-start=\"1771\" data-end=\"1825\"\u003eoriginal photographic portrait of Gautier by Nadar\u003c\/strong\u003e, on the photographer’s card.\u003c\/p\u003e\n\u003cp data-start=\"1856\" data-end=\"2307\"\u003eGautier’s \u003cem data-start=\"1866\" data-end=\"1890\"\u003eHistoire du romantisme\u003c\/em\u003e, first issued in serial form in \u003cem data-start=\"1923\" data-end=\"1939\"\u003eLe Bien public\u003c\/em\u003e in 1872, is regarded as a \u003cstrong data-start=\"1966\" data-end=\"2024\"\u003eprincipal source for the history of French Romanticism\u003c\/strong\u003e. Poet, critic, and central figure of the 1830 generation, Gautier provides a \u003cstrong data-start=\"2102\" data-end=\"2150\"\u003efirst-hand account of the movement’s origins\u003c\/strong\u003e, its leading personalities, and its early disputes. The volume also includes the \u003cem data-start=\"2232\" data-end=\"2253\"\u003eNotices romantiques\u003c\/em\u003e and his study of \u003cstrong data-start=\"2271\" data-end=\"2306\"\u003eFrench poetry from 1830 to 1868\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2309\" data-end=\"2859\"\u003eThe accompanying dossier is a \u003cstrong data-start=\"2339\" data-end=\"2379\"\u003esubstantial contemporary compilation\u003c\/strong\u003e relating to the first publication and early reception of the work. It comprises press clippings of the \u003cstrong data-start=\"2483\" data-end=\"2508\"\u003efirst eleven chapters\u003c\/strong\u003e as serialised in \u003cem data-start=\"2526\" data-end=\"2542\"\u003eLe Bien public\u003c\/em\u003e; the \u003cstrong data-start=\"2548\" data-end=\"2572\"\u003eautograph manuscript\u003c\/strong\u003e of Gautier’s obituary of \u003cstrong data-start=\"2598\" data-end=\"2617\"\u003ePhiloxène Boyer\u003c\/strong\u003e (published in the \u003cem data-start=\"2636\" data-end=\"2656\"\u003eRevue des Théâtres\u003c\/em\u003e); an envelope of the \u003cem data-start=\"2678\" data-end=\"2698\"\u003eMoniteur universel\u003c\/em\u003e addressed to Gautier; an engraved portrait by \u003cstrong data-start=\"2745\" data-end=\"2766\"\u003eCélestin Nanteuil\u003c\/strong\u003e; a biographical notice from the \u003cem data-start=\"2799\" data-end=\"2816\"\u003eMusée universel\u003c\/em\u003e; and several other contemporary documents.\u003c\/p\u003e\n\u003cp data-start=\"2861\" data-end=\"3470\"\u003eA pencilled note attributes the ensemble to the library of \u003cstrong data-start=\"2920\" data-end=\"2941\"\u003ePhilothée O’Neddy\u003c\/strong\u003e (Théophile Dondey, 1811–1875), one of the \u003cem data-start=\"2984\" data-end=\"3009\"\u003eromantiques frénétiques\u003c\/em\u003e and an early companion of Gautier, to whom Gautier devotes a full chapter (pp. 62–69). Although absent from the catalogue of O’Neddy’s posthumous sale, the attribution is coherent. Of particular interest is a \u003cstrong data-start=\"3219\" data-end=\"3243\"\u003efragment of red silk\u003c\/strong\u003e accompanying Chapter X, \u003cem data-start=\"3268\" data-end=\"3295\"\u003eLa Légende du gilet rouge\u003c\/em\u003e, traditionally associated with the \u003cstrong data-start=\"3331\" data-end=\"3364\"\u003ered waistcoat worn by O’Neddy\u003c\/strong\u003e at the première of \u003cem data-start=\"3384\" data-end=\"3393\"\u003eHernani\u003c\/em\u003e. A copy of \u003cem data-start=\"3405\" data-end=\"3416\"\u003eL’Éclipse\u003c\/em\u003e, no. 67 (1869), devoted to Gautier, is also included.\u003c\/p\u003e\n\u003cp data-start=\"3472\" data-end=\"3522\"\u003e\u003cstrong data-start=\"3472\" data-end=\"3487\"\u003eReferences:\u003c\/strong\u003e Vicaire III, 938; Carteret I, 335.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":54954561732933,"sku":"0225","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/IMG_0110.jpg?v=1750403737"},{"product_id":"mes-haines-le-roman-experimental-le-naturalisme-au-theatre-documents-litteraires","title":"[Copies N°1] Mes haines - Le Roman expérimental - Le Naturalisme au théâtre - Documents littéraires","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eZOLA, Émile. Mes haines - Le Roman expérimental - Le Naturalisme au théâtre - Documents littéraires.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParis, Charpentier\u003c\/em\u003e, 1879-1881.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn-12 (184 x 125 mm), 4 volumes, Mes haines - (4) ff., 374 pp., (2) ff., Le Roman expérimental - (6) ff., 416 pp., (2) ff., Le Naturalisme au théâtre - (4) ff., II-408 pp., (2) ff., Documents littéraires - (5) ff., 419 pp., (3) ff.\u003cbr data-mce-fragment=\"1\"\u003eFull calf, ribbed spine, brown morocco author's and title-piece, gilt title and author, double gilt fillet on the edges, gilt edges, interior roulette (\u003cem\u003eSmeers Engel\u003c\/em\u003e).\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRare collection of Zola's four main theoretical volumes, all in copies No. 1 on Hollande, in a homogeneous contemporary binding.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese texts form the intellectual foundation of naturalism, which Zola never ceased to defend in literary, scientific and political terms. Never before had a novelist systematised his own aesthetic with such rigour: he asserts that the novel, supported by the emerging human sciences (experimental medicine, psychology, sociology), must become a veritable laboratory of reality, dedicated to revealing the laws of human behaviour and social determinisms.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Experimental Novel, in particular, was a seminal manifesto that, from the moment of its publication, aroused passionate support and heated controversy, both in France and abroad. These positions had a lasting impact on the literary field at the end of the nineteenth century. Naturalism in the theatre, for its part, fuelled the famous quarrel between Zola and the successful playwright of the day, Victorien Sardou, whom he criticised for treating his subjects in a boulevardière fashion. Zola said: ‘Monsieur Sardou does not have our literary esteem’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTogether, they develop the Zolian vision of the novel as a scientific experiment applied to society, contrasting ‘disinterested’ art with a committed work, oriented towards social truth.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAn exceptional set, assembled in period bindings by a renowned bookbinder, in a remarkable state of preservation.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":54954569793861,"sku":"0646","price":4500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/IMG_9169.jpg?v=1750404035"},{"product_id":"les-romanciers-naturalistes","title":"Les romanciers naturalistes","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eZOLA, Émile. Les romanciers naturalistes.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParis, Charpentier,\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e1881.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn-8 (187 x 121 mm), (3) ff., II-387 pp., (1) f.\u003cbr data-mce-fragment=\"1\"\u003ePaperback, modern folder and slipcase.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFirst edition on publisher's paper, after 10 on Chine and 10 on Hollande.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eExtremely rare autograph letter from the author ‘to Guy de Maupassant \/ his friend \/ Emile Zola’.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt was in 1872, after publishing ‘Le lendemain de la crise’ (The day after the crisis) in Le Corsaire and causing a political scandal, that Émile Zola, in a difficult moral and financial situation, met Ivan Tourgueniev (1818-1883). Tourgueniev offered him a job writing for the famous Russian magazine Les Messagers de l'Europe. \u003cbr data-mce-fragment=\"1\"\u003eHe published some of his articles in Le Roman expérimental (1880) but soon decided to publish them in a single volume in the present work in order to \"give a history of the naturalist novel [...]. Only today does it take on its true meaning, its exact value\". (preface by Zola)\u003cbr data-mce-fragment=\"1\"\u003ePublished in 1881, Les Romanciers naturalistes is Émile Zola's major critical manifesto. In it, the author brought together texts devoted to the writers he considered to be the pillars - or heralds - of naturalism: Balzac, Stendhal, Flaubert, the Goncourt brothers, Daudet...\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThrough these portraits and analyses, Zola maps out a new literature, one that is scientific, documentary and rooted in reality. He affirmed his desire to create a school, to gather around him writers who would make the novel an instrument of knowledge and social reform.\u003cbr data-mce-fragment=\"1\"\u003eIt was this work, then, that clarified the aesthetic issues of naturalism and established Zola as the leader of the eponymous school.\u003cbr data-mce-fragment=\"1\"\u003eA protégé of Gustave Flaubert (1821-1880) and revealed by Zola with the publication of Boule de Suif in Les soirées de Médan, Maupassant quickly became his most loyal, and then his most talented, comrade-in-arms. This led to a literary partnership, with Maupassant borrowing from Zola the clinical observation of alienation in his writings, just as he borrowed from Flaubert his hatred of human stupidity.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConsignments to Guy de Maupassant are extremely rare; in 2021, a copy of Nana (1880) dedicated by Zola to Maupassant sold for $32,500 at Christie's New York.\u003cbr data-mce-fragment=\"1\"\u003eFine restoration to the spine and scattered brown spots for this unique piece of nineteenth-century literary history.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVicaire, VII, 354 ; Benhamou Noëlle. Maupassant dans le Journal des Goncourt. In: Cahiers Edmond et Jules de Goncourt n°10, 2003. Les cent ans du premier prix Goncourt. pp. 283-304.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":54954579165509,"sku":"0566","price":9500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/IMG_9129_1.jpg?v=1750281761"},{"product_id":"la-maison-d-un-artiste","title":"La maison d’un Artiste","description":"\u003cp\u003e\u003cstrong\u003eGONCOURT (de), Edmond. La maison d’un Artiste.\u003c\/strong\u003e\u003cbr\u003eParis: Charpentier, 1881.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOctavo (187 × 122 mm). Two volumes. Vol. I: (4) ff., 357 pp., (1) f.; Vol. II: (2) ff., 382 pp., (1) f.\u003cbr data-end=\"455\" data-start=\"452\"\u003eOriginal printed wrappers, modern chemise and slipcase.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-end=\"593\" data-start=\"512\"\u003eFirst edition, on standard paper, after 10 copies on Chine and 50 on Holland.\u003c\/strong\u003e\u003cbr data-end=\"596\" data-start=\"593\"\u003e\u003cstrong data-end=\"692\" data-start=\"596\"\u003eExtraordinarily rare presentation copy inscribed by Edmond de Goncourt to Guy de Maupassant:\u003c\/strong\u003e\u003cbr data-end=\"695\" data-start=\"692\"\u003e\u003cem data-end=\"750\" data-start=\"695\"\u003e“à Guy de Maupassant \/ souvenir amical \/ Ed Goncourt”\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-end=\"1079\" data-start=\"753\"\u003eGuy de Maupassant (1850–1893) is mentioned \u003cstrong data-end=\"809\" data-start=\"796\"\u003e167 times\u003c\/strong\u003e in the \u003cem data-end=\"839\" data-start=\"817\"\u003eJournal des Goncourt\u003c\/em\u003e: “a small number if one considers the importance given to other contemporaries and the twenty years of his presence in the \u003cem data-end=\"972\" data-start=\"963\"\u003eJournal\u003c\/em\u003e; yet it seems too many when one reads Edmond’s bitter reflections on the author of \u003cem data-end=\"1065\" data-start=\"1056\"\u003eBel-Ami\u003c\/em\u003e.” (Benhamou).\u003c\/p\u003e\n\u003cp data-end=\"1517\" data-start=\"1081\"\u003ePublished in 1881, \u003cem data-end=\"1124\" data-start=\"1100\"\u003eLa Maison d’un artiste\u003c\/em\u003e describes Edmond de Goncourt’s celebrated “house-museum” in Auteuil. Far more than a catalogue of objects, the work forms an \u003cstrong data-end=\"1280\" data-start=\"1250\"\u003eintellectual self-portrait\u003c\/strong\u003e and an \u003cstrong data-end=\"1307\" data-start=\"1288\"\u003eaesthetic credo\u003c\/strong\u003e, an attempt to preserve through prose what his private museum could not eternise. It is a text suspended in time, blending the spirit of the nineteenth-century cabinet of curiosities with a modern sensibility.\u003c\/p\u003e\n\u003cp data-end=\"1883\" data-start=\"1519\"\u003eThrough his descriptions of paintings, prints, textiles, sculptures, and books, Goncourt evokes a particular vision of the nineteenth century—delicate, Japoniste, enamoured of refinement. The work naturally extends the \u003cem data-end=\"1747\" data-start=\"1738\"\u003eJournal\u003c\/em\u003e written with his brother Jules: the same acuity, precision, and determination to preserve a threatened elegance are present throughout.\u003c\/p\u003e\n\u003cp data-end=\"2073\" data-start=\"1885\"\u003e\u003cstrong data-end=\"1946\" data-start=\"1885\"\u003ePresentation copies to Maupassant are exceptionally rare.\u003c\/strong\u003e\u003cbr data-end=\"1949\" data-start=\"1946\"\u003eFor comparison, a copy of \u003cem data-end=\"1981\" data-start=\"1975\"\u003eNana\u003c\/em\u003e (1880) inscribed by Zola to Maupassant realised \u003cstrong data-end=\"2041\" data-start=\"2030\"\u003e$32,500\u003c\/strong\u003e at Christie’s New York in 2021.\u003c\/p\u003e\n\u003cp data-end=\"2256\" data-start=\"2075\"\u003eThis is \u003cstrong data-end=\"2116\" data-start=\"2083\"\u003eMaupassant’s own working copy\u003c\/strong\u003e, which he used in preparing his article “Maison d’artiste”, published in \u003cem data-end=\"2202\" data-start=\"2190\"\u003eLe Gaulois\u003c\/em\u003e on 12 March 1881 to coincide with the book’s release.\u003c\/p\u003e\n\u003cp data-end=\"2366\" data-start=\"2258\"\u003eGoncourt’s book inspired some of Maupassant’s finest descriptive criticism; a few excerpts from his article:\u003c\/p\u003e\n\u003cp data-end=\"2468\" data-start=\"2370\"\u003e“It is not a philosophical work like \u003cem data-end=\"2428\" data-start=\"2407\"\u003eIdées et sensations\u003c\/em\u003e; it is the history of his furniture.”\u003c\/p\u003e\n\u003cp data-end=\"2579\" data-start=\"2471\"\u003e“He possesses today the most beautiful and the most complete collection of eighteenth-century French art.”\u003c\/p\u003e\n\u003cp data-end=\"2670\" data-start=\"2582\"\u003e“From the moment one enters, one knows one is in the house of a lover of curiosities.”\u003c\/p\u003e\n\u003cp data-end=\"2992\" data-start=\"2673\"\u003e“The walls everywhere are lined with books, precious books, of which he gives us the detailed catalogue. In the drawers lie priceless Japanese albums worth fortunes. He was perhaps the first to understand the artistic value, the grace, and the charm of this Japanese art from which our painters now draw inspiration.”\u003c\/p\u003e\n\u003cp data-end=\"3139\" data-start=\"2995\"\u003e“Next to the room displaying these marvels is another, a masterpiece of colour… a ‘means of inspiration’, the cabinet of cerebral excitation.”\u003c\/p\u003e\n\u003cp data-end=\"3346\" data-start=\"3142\"\u003e“The ground floor belongs to the eighteenth century. The collection is unique… Here are Watteau, that master among the greatest, Boucher, Fragonard, Chardin… A priceless mantelpiece garniture by Clodion.”\u003c\/p\u003e\n\u003cp data-end=\"3497\" data-start=\"3348\"\u003eSkillfully restored spines; scattered foxing. A \u003cstrong data-end=\"3437\" data-start=\"3396\"\u003eunique and important association copy\u003c\/strong\u003e, central to the literary history of the nineteenth century.\u003c\/p\u003e\n\u003cp data-end=\"3683\" data-start=\"3499\"\u003e\u003cstrong data-end=\"3514\" data-start=\"3499\"\u003eReferences:\u003c\/strong\u003e Vicaire III, 1061–2; Carteret I, 359;\u0026nbsp;Benhamou, Noëlle, “Maupassant dans le \u003cem data-end=\"3615\" data-start=\"3593\"\u003eJournal des Goncourt\u003c\/em\u003e,” \u003cem data-end=\"3655\" data-start=\"3618\"\u003eCahiers Edmond et Jules de Goncourt\u003c\/em\u003e no. 10 (2003), pp. 283–304.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":54954587521349,"sku":"0567","price":7500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/IMG_9132.jpg?v=1750281837"},{"product_id":"le-capitaine-burle","title":"Le capitaine Burle","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eZOLA, Émile. Le capitaine Burle.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParis, Charpentier\u003c\/em\u003e, 1883.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn-8 (189 x 130 mm), (2) ff., 340 pp., (2) ff., couvertures conservées.\u003cbr data-mce-fragment=\"1\"\u003eRed half-maroquin with corners, separated by double gilt fillet, spine ribbed, decorated with double gilt fillet with central gilt iron and gilt fleurons at corners, author, title and date stamped in gold, gilt head (\u003cem\u003eJ. Kauffmann-P.Horclois\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFirst edition.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of 50 on Hollande after 25 on Chine, the only large papers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA very fine copy.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":54954612392261,"sku":"0591","price":1200.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/IMG_0094.jpg?v=1750281933"},{"product_id":"numa-roumestan","title":"Numa Roumestan","description":"\u003cp\u003eDAUDET, Alphonse. Numa Roumestan.\u003cbr\u003e\nParis: Charpentier, 1881.\u003c\/p\u003e\n\u003cp\u003eOctavo (188 x 128 mm). (4) ff., 345 pp., (1) f. Original wrappers preserved.\u003cbr\u003e\nLavallière half morocco with corners, richly decorated raised bands, author, title and date in gilt, top edge gilt (V. Champs).\u003c\/p\u003e\n\u003cp\u003eA precious copy of the first edition, on Holland paper, with the manuscript draft of the preface for the second edition.\u003cbr\u003e\nThe autograph manuscript comprises 12 pages in all, 5 of them struck through. In it he speaks of his inspiration, his reading, the reception the book received, and also mentions the resemblance the protagonist bears to Gambetta. He further recalls his cherished moments reading the week's instalment of the plot to his illustrator, as well as the writers he greatly admired: Zola, Balzac, Sade…\u003c\/p\u003e\n\u003cp\u003eSlight rubbing to the corners and one headcap.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":58295814848837,"sku":"0823","price":2300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/4-IMG_9015.jpg?v=1781647613"},{"product_id":"rome","title":"Rome","description":"\u003cp\u003eZOLA, Emile. Rome.\u003cbr\u003e\nParis: Charpentier, 1896.\u003c\/p\u003e\n\u003cp\u003eOctavo (187 x 135 mm). (2) ff., 751 pp. Original wrappers and spine preserved.\u003cbr\u003e\nRed half morocco with corners, raised bands, author, title and date in gilt, top edge gilt, the others untrimmed (P. Affolter).\u003c\/p\u003e\n\u003cp\u003eFirst edition, a large-paper copy on Holland paper.\u003cbr\u003e\nThe second part of Zola's Trois Villes trilogy (Lourdes, Rome, Paris).\u003c\/p\u003e\n\u003cp\u003eA perfect copy, notwithstanding a slight scratch to the spine (not visible in the photographs).\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":58295948443973,"sku":"0855","price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/IMG_8319.jpg?v=1781648324"},{"product_id":"paris","title":"Paris","description":"\u003cp\u003eZOLA, Emile. Paris.\u003cbr\u003e\nParis: Charpentier, 1898.\u003c\/p\u003e\n\u003cp\u003eOctavo (187 x 132 mm). (2) ff., 608 pp. Original wrappers and spine preserved.\u003cbr\u003e\nRed half morocco with corners, raised bands, author, title and date in gilt, top edge gilt, the others untrimmed (P. Affolter).\u003c\/p\u003e\n\u003cp\u003eFirst edition, a large-paper copy on Holland paper.\u003cbr\u003e\nThe final part of Zola's Trois Villes trilogy (Lourdes, Rome, Paris).\u003c\/p\u003e\n\u003cp\u003eA perfect copy.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":58295948476741,"sku":"0854","price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/IMG_7772.jpg?v=1781648389"},{"product_id":"la-vraie-vie","title":"La vraie Vie","description":"\u003cp\u003e\u003cstrong\u003eTOLSTOY, Leo. La vraie Vie.\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eParis, Bibliothèque Charpentier\u003c\/em\u003e, 1901.\u003c\/p\u003e\n\u003cp\u003eOctavo (190 x 135 mm). (3) ff., XIV-(1) f., 275 pp., (2) ff., original wrappers preserved.\u003cbr\u003eBurgundy cloth, smooth spine, red morocco title-label with gilt author and title, slipcase (modern binding).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst French edition, an extremely rare limited deluxe edition.\u003c\/strong\u003e\u003cbr\u003eOne of 5 deluxe copies on Holland paper, ours numbered 2. The regular issue records no large-paper copies.\u003c\/p\u003e\n\u003cp\u003eA very fine copy.\u003c\/p\u003e","brand":"Librairie Alexis Noqué","offers":[{"title":"Default Title","offer_id":59021542129989,"sku":"0962","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0793\/8611\/6421\/files\/0962-tolstoi-01.jpg?v=1787935436"}],"url":"https:\/\/www.librairie-alexisnoque.fr\/en\/collections\/editeur-charpentier.oembed","provider":"Librairie Alexis Noqué","version":"1.0","type":"link"}