Tanned sheepskin was for a long time the most widespread binding material in French workshops, prized as much for its modest cost as for its suppleness. More sensitive to the passage of time than calf or morocco, it often bears the marks of genuine use, of assiduous reading, of a wear peculiar to the copy's own history — a quality that certain collectors seek out for its own sake.
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Œuvres de Gille Marie Oppenort. 2e Recueil. Frises, panneaux, pendules, pilastres, cartouches, feux, fontaines, gaines, profils de moulures, etc. gravé par Huquier.